All the species recognized by Botanists came forth from the Almighty Creator's hand, and the number of these is now and always will be exactly the same, while every day new and different florists' species arise from the true species so-called by Botanists, and when they have arisen they finally revert to the original forms. Accordingly to the former have been assigned by Nature fixed limits, beyond which they cannot go: while the latter display without end the infinite sport of Nature.

If we assume that there is only one enzyme present to act as an oxidizing agent, we must assume for it as many different degrees of activity as are required to explain the occurrence of the various colors known to mendelize (three in mice, yellow, brown, and black). If we assume that a different enzyme or group of enzymes is responsible for the production of each pigment we must suppose that in mice at least three such enzymes or groups of enzymes exist. To determine which of these conditions occurs in mice is not a problem for the biologist, but for the chemist. The biologist must confine his attention to determining the number of distinct agencies at work in pigment formation irrespective of their chemical nature. These agencies, because of their physiological behavior, the biologist chooses to call 'factors,' and attempts to learn what he can about their functions in the evolution of color varieties.

It follows from the supreme perfection of God, that in creating the universe has chosen the best possible plan, in which there is the greatest variety together with the greatest order; the best arranged ground, place, time; the most results produced in the most simple ways; the most of power, knowledge, happiness and goodness the creatures that the universe could permit. For since all the possibles in I understanding of God laid claim to existence in proportion to their perfections, the actual world, as the resultant of all these claims, must be the most perfect possible. And without this it would not be possible to give a reason why things have turned out so rather than otherwise.

The species and the genus are always the work of nature [i.e. specially created]; the variety mostly that of circumstance; the class and the order are the work of nature and art.