Poetry Quotes (29)
Copernicus, who rightly did condemn This eldest systeme, form'd a wiser scheme;
In which he leaves the Sun at Rest, and rolls
The Orb Terrestial on its proper Poles;
Which makes the Night and Day by this Career,
And by its slow and crooked Course the Year.
The famous Dane, who oft the Modern guides,
To Earth and Sun their Provinces divides:
The Earth's Rotation makes the Night and Day,
The Sun revolving through th'Eccliptic Way
Effects the various seasons of the Year,
Which in their Turn for happy Ends appear.
This Scheme or that, which pleases best, embrace,
Still we the Fountain of their Motion trace.
Kepler asserts these Wonders may be done
By the Magnetic Vertue of the Sun,
Which he, to gain his End, thinks fit to place
Full in the Center of that mighty Space,
Which does the Spheres, where Planets roll, include,
And leaves him with Attractive Force endu'd.
The Sun, thus seated, by Mechanic Laws,
The Earth, and every distant Planet draws;
By which Attraction all the Planets found
Within his reach, are turn'd in Ether round.
In which he leaves the Sun at Rest, and rolls
The Orb Terrestial on its proper Poles;
Which makes the Night and Day by this Career,
And by its slow and crooked Course the Year.
The famous Dane, who oft the Modern guides,
To Earth and Sun their Provinces divides:
The Earth's Rotation makes the Night and Day,
The Sun revolving through th'Eccliptic Way
Effects the various seasons of the Year,
Which in their Turn for happy Ends appear.
This Scheme or that, which pleases best, embrace,
Still we the Fountain of their Motion trace.
Kepler asserts these Wonders may be done
By the Magnetic Vertue of the Sun,
Which he, to gain his End, thinks fit to place
Full in the Center of that mighty Space,
Which does the Spheres, where Planets roll, include,
And leaves him with Attractive Force endu'd.
The Sun, thus seated, by Mechanic Laws,
The Earth, and every distant Planet draws;
By which Attraction all the Planets found
Within his reach, are turn'd in Ether round.
Creation: A Philosopical Poem in Seven Books (1712), book 2, l. 430-53, p.78-9.
Nature is curious, and such worke may make,
That our dull sense can never finde, but scape.
For Creatures, small as Atomes, may be there,
If every Atome a Creatures Figure beare.
If foure Atomes a World can make, then see
What severall Worlds might in an Eare--ring bee:
For Millions of these Atomes may bee in
The Head of one Small, little, Single Pin.
And if thus Small, then Ladies may well weare
A World of Worlds, as Pendents in each Eare.
That our dull sense can never finde, but scape.
For Creatures, small as Atomes, may be there,
If every Atome a Creatures Figure beare.
If foure Atomes a World can make, then see
What severall Worlds might in an Eare--ring bee:
For Millions of these Atomes may bee in
The Head of one Small, little, Single Pin.
And if thus Small, then Ladies may well weare
A World of Worlds, as Pendents in each Eare.
From 'Of Many Worlds in this World', in Poems and Fancies (1653), 44-5.
See also: | Atom (63)
A man said to the universe:
'Sir, I exist!'
'However,' replied the universe,
'The fact has not created in me
A sense of obligation.'
'Sir, I exist!'
'However,' replied the universe,
'The fact has not created in me
A sense of obligation.'
'A Man Said to the Universe', in Poems by Stephen Crane (1972), 139.
Alas! That partial Science should approve
The sly rectangle's too licentious love!
From three bright Nymphs the wily wizard burns;-
Three bright-ey'd Nymphs requite his flame by turns.
Strange force of magic skill! Combined of yore.
The sly rectangle's too licentious love!
From three bright Nymphs the wily wizard burns;-
Three bright-ey'd Nymphs requite his flame by turns.
Strange force of magic skill! Combined of yore.
'The Loves of the Triangles. A Mathematical and Philosophical Poem', in The Anti-Jacobean or Weekly Examiner, Monday 16 April 1798, 182. [Written by George Canning, Hookham Frere, and George Ellis].
See also: | Geometry (23)
And make us as Newton was, who in his garden watching
The apple falling towards England, became aware
Between himself and her of an eternal tie.
The apple falling towards England, became aware
Between himself and her of an eternal tie.
'Prologue' in Look Stranger! (1936), 11.
See also: | Gravity (24)
Coy Nature, (which remain'd, though aged grown,
A beauteous virgin still, enjoy'd by none,
Nor seen unveil'd by anyone),
When Harvey's violent passion she did see,
Began to tremble and to flee;
Took sanctuary, like Daphne, in a tree:
There Daphne's Lover stopped, and thought it much
The very leaves of her to touch:
But Harvey, our Apollo, stopp'd not so;
Into the Bark and Root he after her did go!
A beauteous virgin still, enjoy'd by none,
Nor seen unveil'd by anyone),
When Harvey's violent passion she did see,
Began to tremble and to flee;
Took sanctuary, like Daphne, in a tree:
There Daphne's Lover stopped, and thought it much
The very leaves of her to touch:
But Harvey, our Apollo, stopp'd not so;
Into the Bark and Root he after her did go!
'Ode Upon Dr Harvey' (1663). In The British Poets: Including Translations in One Hundred Volumes (1822), Vol. 13, 245.
Energy is Eternal Delight.
'The Marriage of Heaven and Hell' (1790). In W. H. Stevenson (ed.), The Poems of William Blake (1971), 106.
See also: | Energy (19)
For a scientist must indeed be freely imaginative and yet skeptical, creative and yet a critic. There is a sense in which he must be free, but another in which his thought must be very preceisely regimented; there is poetry in science, but also a lot of bookkeeping.
The Strange Case of the Spotted Mice and Other Classic Essays on Science (1996), 63.
I do not see how a man can work on the frontiers of physics and write poetry at the same time. They are in opposition. In science you want to say something that nobody knew before, in words which everyone can understand. In poetry you are bound to say .. something that everyone knows already in words that nobody can understand.
Commenting to him about the poetry J. Robert Oppenheimer wrote.
Commenting to him about the poetry J. Robert Oppenheimer wrote.
Quoted in Steven George Krantz, Mathematical Apocrypha Redux: More Stories and Anecdotes of Mathematicians (2005), 169
See also: | Physics (44)
I should not think of devoting less than 20 years to an Epic Poem. Ten to collect materials and warm my mind with universal science. I would be a tolerable Mathematician, I would thoroughly know Mechanics, Hydrostatics, Optics, and Astronomy, Botany, Metallurgy, Fossilism, Chemistry, Geology, Anatomy, Medicine—then the mind of man—then the minds of men—in all Travels, Voyages and Histories. So I would spend ten years—the next five to the composition of the poem—and the five last to the correction of it. So I would write haply not unhearing of the divine and rightly-whispering Voice, which speaks to mighty minds of predestinated Garlands, starry and unwithering.
Letter to Joseph Cottle, early April 1797. In Earl Leslie Griggs (ed.), The Collected Letters of Samuel Taylor Coleridge (1956), Vol. 1, 320-1.
I turn my eyes to the schools & universities of Europe
And there behold the loom of Locke whose woof rages dire,
Washed by the water-wheels of Newton. Black the cloth
In heavy wreaths folds over every nation; cruel works
Of many wheels I view, wheel without wheel, with cogs tyrannic
Moving by compulsion each other: not as those in Eden, which
Wheel within wheel in freedom revolve, in harmony & peace.
And there behold the loom of Locke whose woof rages dire,
Washed by the water-wheels of Newton. Black the cloth
In heavy wreaths folds over every nation; cruel works
Of many wheels I view, wheel without wheel, with cogs tyrannic
Moving by compulsion each other: not as those in Eden, which
Wheel within wheel in freedom revolve, in harmony & peace.
'Jerusalem, The Emanation of the Giant Albion' (1804-20), First Chapter, Pl.15, lines 14-20. In W. H. Stevenson (ed.), The Poems of William Blake (1971), 654-55.
See also: | Education (81)
I would liken science and poetry in their natural independence to those binary stars, often different in colour, which Herschel's telescope discovered to revolve round each other. 'There is one light of the sun,' says St. Paul, 'and another of the moon, and another of the stars: star differeth from star in glory.' It is so here. That star or sun, for it is both, with its cold, clear, white light, is SCIENCE: that other, with its gorgeous and ever-shifting hues and magnificent blaze, is POETRY. They revolve lovingly round each other in orbits of their own, pouring forth and drinking in the rays which they exchange; and they both also move round and shine towards that centre from which they came, even the throne of Him who is the Source of all truth and the Cause of all beauty.
'The alleged Antagonism between poetry and Chemistry.' In Jesse Aitken Wilson, Memoirs of George Wilson. Quoted in Natural History Society of Montreal, 'Reviews and Notices of Books,' The Canadian Naturalist and Geologist (1861) Vol. 6, 393.
See also: | Science (270)
In a notable family called Stein
There were Gertrude, and Ep, and then Ein.
Gert's writing was hazy,
Ep's statues were crazy,
And nobody understood Ein.
There were Gertrude, and Ep, and then Ein.
Gert's writing was hazy,
Ep's statues were crazy,
And nobody understood Ein.
Out on a Limerick (1961), 76.
In science, reason is the guide; in poetry, taste. The object of the one is truth, which is uniform and indivisible; the object of the other is beauty, which is multiform and varied.
Lacon: Many Things in Few Words (1820-22, 1866), 33.
Mock on, mock on, Voltaire, Rousseau!
Mock on, mock on: 'Tis all in vain!
You throw the sand against the wind,
And the wind blows it back again.
And every sand becomes a gem
Reflected in the beams divine;
Blown back they blind the mocking eye,
But still in Israel's paths they shine.
The atoms of Democritus
And Newton's particles of light
Are sands upon the Red Sea shore,
Where Israel's tents do shine so bright.
Mock on, mock on: 'Tis all in vain!
You throw the sand against the wind,
And the wind blows it back again.
And every sand becomes a gem
Reflected in the beams divine;
Blown back they blind the mocking eye,
But still in Israel's paths they shine.
The atoms of Democritus
And Newton's particles of light
Are sands upon the Red Sea shore,
Where Israel's tents do shine so bright.
Notebook Drafts (c. 1804). In W. H. Stevenson (ed.), The Poems of William Blake (1971), 481.
Philosophy becomes poetry, and science imagination, in the enthusiasm of genius.
Literary Character of Men of Genius, Chap. 12. In In Jehiel Keeler Hoyt, The Cyclopedia of Practical Quotations (1996), 270.
Pray God us keep
From Single vision & Newton's sleep!
From Single vision & Newton's sleep!
Letter to Thomas Butt, 22 November 1802. Quoted in Geoffrey Keynes (ed.), The Letters of William Blake(1956), 79.
Science has succeeded to poetry, no less in the little walks of children than with men. Is there no possibility of averting this sore evil?
Letter to Coleridge (23 Oct 1802). In Edwin W. Marrs, Jr. (ed.), The Letters of Charles and Mary Anne Lamb (1976), Vol. 2, 81-2.
See also: | Science (270)
Science is continually correcting what it has said. Fertile corrections... science is a ladder... poetry is a winged flight... An artistic masterpiece exists for all time... Dante does not efface Homer.
Quoted in Pierre Biquard, Frederic Joliot-Curie: The Man and his Theories (1961), trans. Geoffrey Strachan (1965), 168.
Some drill and bore
The solid earth, and from the strata there
Extract a register, by which we learn,
That he who made it, and reveal'd its date
To Moses, was mistaken in its age.
The solid earth, and from the strata there
Extract a register, by which we learn,
That he who made it, and reveal'd its date
To Moses, was mistaken in its age.
The Task and Other Poems, Book III, The Garden (1785). In John D. Baird and Charles Ryskamp (eds.), The Poems of William Cowper (1995), Vol. 2, 1782-1785, 166-7.
The interpretations of science do not give us this intimate sense of objects as the interpretations of poetry give it; they appeal to a limited faculty, and not to the whole man. It is not Linnaeus or Cavendish or Cuvier who gives us the true sense of animals, or water, or plants, who seizes their secret for us, who makes us participate in their life; it is Shakspeare [sic] . . . Wordsworth … Keats ... Chateaubriand ... Senancour.
'Maurice de Guerin' Essays in Criticism (1865), in R.H. Super (ed.) The Complete Prose Works of Matthew Arnold: Lectures and Essays in Criticism (1962), Vol. 3, 13.
The sublime can only be found in the great subjects. Poetry, history and philosophy all have the same object, and a very great object—Man and Nature. Philosophy describes and depicts Nature. Poetry paints and embellishes it. It also paints men, it aggrandizes them, it exaggerates them, it creates heroes and gods. History only depicts man, and paints him such as he is.
'Discours Prononcé a L' Académie française par M. De Buffon. Le Jour de sa Reception 25 Aout 1753'. Supplement a T.iv (1753), Histoire Naturelle, Générale et Particulière, Avec la Description du Cabinet du Roi (1777), 11. Trans. Phillip R. Sloan.
The true spirit of delight, the exaltation, the sense of being more than man, which is the touchstone of highest excellence, is to be found in mathematics as surely as in poetry.
'The Study of Mathematics', Philosophical Essays (1910), 73-74. In J. E. Creighton (Ed.), Evander Bradley McGilvary, 'Reviews of Books', The Philosophical Review (1911), Vol. 20, 423.
See also: | Mathematics (139)
This is, in truth, the first charm of chemistry, and the secret of the almost universal interest excited by its discoveries. The serious complacency which is afforded by the sense of truth, utility, permanence, and progression, blends with and ennobles the exhilarating surprise and the pleasurable sting of curiosity, which accompany the propounding and the solving of an Enigma... If in SHAKPEARE [sic] we find Nature idealized into Poetry, through the creative power of a profound yet observant meditation, so through the meditative observation of a DAVY, a WOOLLASTON [sic], or a HATCHETT; we find poetry, as if were, substantiated and realized in nature.
Essays on the Principle of Method, Essay VI (1818). In The Collected Works of Samuel Taylor Coleridge: The Friend (1969), Vol. 4, 1, Barbara E. Rooke (ed.), 471.
To see a world in a grain of sand
And a heaven in a wild flower,
Hold infinity in the palm of your hand
And eternity in an hour.
And a heaven in a wild flower,
Hold infinity in the palm of your hand
And eternity in an hour.
'The Pickering Manuscript' - Auguries of Innocence (c.1805). In W. H. Stevenson (ed.), The Poems of William Blake (1971), 585.
See also: | Infinity (6)
True poetry is truer than science, because it is synthetic, and seizes at once what the combination of all the sciences is able, at most, to attain as a final result. (31 Oct 1852)
Amiel's Journal: The Journal Intime of Henri-Frédéric Amiel, trans. Humphry Ward (1893), 30.
See also: | Science (270)
War rages on the teeming earth;
The hot and sanguinary fight
Begins with each new creature's birth:
A dreadful war where might is right;
Where still the strongest slay and win,
Where weakness is the only sin.
The hot and sanguinary fight
Begins with each new creature's birth:
A dreadful war where might is right;
Where still the strongest slay and win,
Where weakness is the only sin.
The Ascent of Man (1889), 13.
When it comes to atoms, language can be used only as in poetry.
Quoted in K. C. Cole, 'On Imagining the Unseeable', Discover, 1982, 3, 70.
[The popular impression about some chemists is that] the aquafortis and the chlorine of the laboratories have as effectually bleached the poetry out of them, as they destroy the colours of tissues exposed to their action.
'The alleged Antagonism between poetry and Chemistry.' In Jesse Aitken Wilson, Memoirs of George Wilson. Quoted in Natural History Society of Montreal, 'Reviews and Notices of Books,' The Canadian Naturalist and Geologist (1861) Vol. 6, 391.
See also: | Chemist (11)
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