Poet Quotes (13)
Because science flourishes, must poesy decline? The compliant serves but to betray the weakness of the class who urge it.
Sketch Book of Popular Geology (1860), 80.
Every man will be a poet if he can; otherwise a philosopher or man of science. This proves the superiority of the poet.
Odell Shepard (Ed.), The Heart of Thoreau's Journals (1961), 84.
See also: | Men Of Science (68)
In its famous paradox, the equation of money and excrement, psychoanalysis becomes the first science to state what common sense and the poets have long known—that the essence of money is in its absolute worthlessness.
Life Against Death: the Psychoanalytical Meaning of History (1985), 254.
In science, address the few; in literature, the many. In science, the few must dictate opinion to the many; in literature, the many, sooner or later, force their judgement on the few. But the few and the many are not necessarily the few and the many of the passing time: for discoverers in science have not un-often, in their own day, had the few against them; and writers the most permanently popular not unfrequently found, in their own day, a frigid reception from the many. By the few, I mean those who must ever remain the few, from whose dieta we, the multitude, take fame upon trust; by the many, I mean those who constitute the multitude in the long-run. We take the fame of a Harvey or a Newton upon trust, from the verdict of the few in successive generations; but the few could never persuade us to take poets and novelists on trust. We, the many, judge for ourselves of Shakespeare and Cervantes.
Caxtoniana: A Series of Essays on Life, Literature, and Manners (1863), Vol. 2, 329- 30.
See also: | William Harvey (17) | Literature (12) | Sir Isaac Newton (131) | Science (463) | William Shakespeare (20)
It is impossible to be a mathematician without being a poet in soul.
In a letter to Madame Schabelskoy, quoted in Sónya Kovalévsky: Her Recollections of Childhood, translated by Isabel F. Hapgood (1895), 316.
It is true that a mathematician who is not somewhat of a poet, will never be a perfect mathematician.
Quoted by Mittag-Leffler in Compte Rendu du Deuxième Congrès International des Mathématiciens (1902), 149. In Robert Edoward Moritz, Memorabilia Mathematica; Or, The Philomath's Quotation-book (1914), 121.
It seems to me that the poet has only to perceive that which others do not perceive, to look deeper than others look. And the mathematician must do the same thing.
In a letter to Madame Schabelskoy, quoted in Sónya Kovalévsky: Her Recollections of Childhood, translated by Isabel F. Hapgood (1895), 317.
Poets need be in no degree jealous of the geologists. The stony science, with buried creations for its domains, and half an eternity charged with its annals, possesses its realms of dim and shadowy fields, in which troops of fancies already walk like disembodied ghosts in the old fields of Elysium, and which bid fair to be quite dark and uncertain enough for all the purposes of poesy for centuries to come.
Sketch Book of Popular Geology (1860), 82-3.
See also: | Disembodied (2) | Domain (3) | Eternity (5) | Fancy (4) | Field (15) | Geologist (13) | Ghost (3) | Jealousy (3) | Realm (3) | Shadow (6) | Uncertainty (11)
Science! true daughter of old Time thou art!
Who alterest all things with thy peering eyes.
Why preyest thou thus upon the poet's heart,
Vulture,... ?
Who alterest all things with thy peering eyes.
Why preyest thou thus upon the poet's heart,
Vulture,... ?
Sonnet, 'To Science' (1829), Saturday Evening Post (11 Sep 1830). In Poems of Edgar Allan Poe (1917), 33, and Notes, 169.
The poet's eye, in a frenzy rolling,
Doth glance from heaven to earth, from earth to heaven;
And as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them into shapes, and gives to airy nothing
A local habitation and a name.
Doth glance from heaven to earth, from earth to heaven;
And as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them into shapes, and gives to airy nothing
A local habitation and a name.
A Midsummer Night's Dream, Act 5, Scene 1. In Carl Sagan, Broca's Brain (1986), 162.
The primary rocks, ... I regard as the deposits of a period in which the earth's crust had sufficiently cooled down to permit the existence of a sea, with the necessary denuding agencies,—waves and currents,—and, in consequence, of deposition also; but in which the internal heat acted so near the surface, that whatever was deposited came, matter of course, to be metamorphosed into semi-plutonic forms, that retained only the stratification. I dare not speak of the scenery of the period. We may imagine, however, a dark atmosphere of steam and vapour, which for age after age conceals the face of the sun, and through which the light of moon or star never penetrates; oceans of thermal water heated in a thousand centres to the boiling point; low, half-molten islands, dim through the log, and scarce more fixed than the waves themselves, that heave and tremble under the impulsions of the igneous agencies; roaring geysers, that ever and anon throw up their intermittent jets of boiling fluid, vapour, and thick steam, from these tremulous lands; and, in the dim outskirts of the scene, the red gleam of fire, shot forth from yawning cracks and deep chasms, and that bears aloft fragments of molten rock and clouds of ashes. But should we continue to linger amid a scene so featureless and wild, or venture adown some yawning opening into the abyss beneath, where all is fiery and yet dark,—a solitary hell, without suffering or sin,—we would do well to commit ourselves to the guidance of a living poet of the true faculty,—Thomas Aird and see with his eyes.
Sketch Book of Popular Geology (1859), 238-9.
See also: | Abyss (3) | Age (15) | Ash (2) | Chasm (2) | Cloud (6) | Current (6) | Era (3) | Fire (22) | Guidance (3) | Hell (6) | Metamorphosis (2) | Period (3) | Rock (25) | Sea (15) | Sin (6) | Solitary (3) | Steam (4) | Suffering (4) | Vapour (4) | Wave (16) | Wild (3)
When some portion of the biosphere is rather unpopular with the human race–a crocodile, a dandelion, a stony valley, a snowstorm, an odd-shaped flint–there are three sorts of human being who are particularly likely still to see point in it and befriend it. They are poets, scientists and children. Inside each of us, I suggest, representatives of all these groups can be found.
Animals and Why They Matter; A Journey Around the Species Barrier (1983), 145.
You can hardly imagine how I am struggling to exert my poetical ideas just now for the discovery of analogies & remote figures respecting the earth, Sun & all sorts of things—for I think it is the true way (corrected by judgement) to work out a discovery.
Letter to C. Schrenbein, 13th Nov, 1845. In Frank A. J. L. James (ed.), The Correspondence of Michael Faraday (1996), Vol. 3, 428.
See also: | Discovery (178)