Formerly one sought the feeling of the grandeur of man by pointing to his divine origin: this has now become a forbidden way, for at its portal stands the ape, together with other gruesome beasts, grinning knowingly as if to say: no further in this direction! One therefore now tries the opposite direction: the way mankind is going shall serve as proof of his grandeur and kinship with God. Alas this, too, is vain! At the end of this way stands the funeral urn of the last man and gravedigger (with the inscription 'nihil humani a me alienum puto'). However high mankind may have evolved—and perhaps at the end it will stand even lower than at the beginning!— it cannot pass over into a higher order, as little as the ant and the earwig can at the end of its 'earthly course' rise up to kinship with God and eternal life. The becoming drags the has-been along behind it: why should an exception to this eternal spectacle be made on behalf of some little star or for any little species upon it! Away with such sentimentalities!

[Man] ... his origin, his growth, his hopes and fears, his loves and his beliefs are but the outcome of accidental collocations of atoms; that no fire, no heroism, no intensity of thought and feeling can preserve an individual life beyond the grave; that all the labour of the ages, all the devotion, all the inspiration, all the noonday brightness of human genius are destined to extinction in the vast death of the solar system, and that the whole temple of Man's achievement must inevitably be buried beneath the debris of a universe in ruins...

[T]he human desire to escape the flesh, which took one form in asceticism, might take another form in the creation of machines. Thus, the wish to rise above the bestial body manifested itself not only in angels but in mechanical creatures. Certainly, once machines existed, humans clearly attached to them feelings of escape from the flesh.