Emotion Quotes (16)

A common fallacy in much of the adverse criticism to which science is subjected today is that it claims certainty, infallibility and complete emotional objectivity. It would be more nearly true to say that it is based upon wonder, adventure and hope.
Quoted in E. J. Bowen's obituary of Hinshelwood, Chemistry in Britain (1967), Vol. 3, 536.
See also:  |  Certainty (24)  |  Criticism (16)  |  Hope (14)  |  Wonder (16)

Biophilia, if it exists, and I believe it exists, is the innately emotional affiliation of human beings to other living organisms.
'Biophilia and the Conservation Ethic', essay in The Biophilia Hypothesis, editted by Stephen R. Kellert (1997), 31.
See also:  |  Organism (25)

EMOTION, n. A prostrating disease caused by a determination of the heart to the head. It is sometimes accompanied by a copious discharge of hydrated chloride of sodium from the eyes.
The Collected Works of Ambrose Bierce (1911), Vol. 7, The Devil's Dictionary,  84.
See also:  |  Disease (115)  |  Humour (89)

HEART, n. An automatic, muscular blood- pump. Figuratively, this useful organ is said to be the seat of emotions and sentiments—a very pretty fancy which, however, is nothing but a survival of a once universal belief. It is now known that the sentiments and emotions reside in the stomach, being evolved from food by chemical action of the gastric fluid. The exact process by which a beefsteak becomes a feeling—tender or not, according to the age of the animal from which it was cut; the successive stages of elaboration through which a caviar sandwich is transmuted to a quaint fancy and reappears as a pungent epigram; the marvelous functional methods of converting a hard-boiled egg into religious contrition, or a cream-puff into a sigh of sensibility—these things have been patiently ascertained by M. Pasteur, and by him expounded with convincing lucidity. 
The Collected Works of Ambrose Bierce (1911), Vol. 7, The Devil's Dictionary,  133-134.
See also:  |  Digestion (7)  |  Heart (21)  |  Humour (89)  |  Louis Pasteur (8)  |  Stomach (2)

How often people speak of art and science as though they were two entirely different things, with no interconnection. An artist is emotional, they think, and uses only his intuition; he sees all at once and has no need of reason. A scientist is cold, they think, and uses only his reason; he argues carefully step by step, and needs no imagination. That is all wrong. The true artist is quite rational as well as imaginative and knows what he is doing; if he does not, his art suffers. The true scientist is quite imaginative as well as rational, and sometimes leaps to solutions where reason can follow only slowly; if he does not, his science suffers.
'Prometheus.' The Roving Mind (1983), Chap 25.
See also:  |  Art (25)  |  Artist (7)  |  Imagination (50)  |  Intuition (9)  |  Rational (9)  |  Reason (69)  |  Science (444)  |  Solution (44)

It is impossible not to feel stirred at the thought of the emotions of man at certain historic moments of adventure and discovery—Columbus when he first saw the Western shore, Pizarro when he stared at the Pacific Ocean, Franklin when the electric spark came from the string of his kite, Galileo when he first turned his telescope to the heavens. Such moments are also granted to students in the abstract regions of thought, and high among them must be placed the morning when Descartes lay in bed and invented the method of co-ordinate geometry.
Quoted in James Roy Newman, The World of Mathematics (2000), Vol. 1, 239.
See also:  |  Abstract (5)  |  Adventure (7)  |  Christopher Columbus (2)  |  René Descartes (27)  |  Discovery (166)  |  Electricity (30)  |  Benjamin Franklin (25)  |  Galileo Galilei (55)  |  Heaven (18)  |  Invention (84)  |  Moment (3)  |  Spark (2)  |  String (3)  |  Student (17)  |  Telescope (20)  |  Thought (65)

It is not the conscience which raises a blush, for a man may sincerely regret some slight fault committed in solitude, or he may suffer the deepest remorse for an undetected crime, but he will not blush... It is not the sense of guilt, but the thought that others think or know us to be guilty which crimsons the face.
The Expression of Emotions in Man and Animals
See also:  |  Blush (2)

It is well-known that those who have charge of young infants, that it is difficult to feel sure when certain movements about their mouths are really expressive; that is when they really smile. Hence I carefully watched my own infants. One of them at the age of forty-five days, and being in a happy frame of mind, smiled... I observed the same thing on the following day: but on the third day the child was not quite well and there was no trace of a smile, and this renders it probable that the previous smiles were real.
The Expression of Emotions in Man and Animals
See also:  |  Smile (2)

Jealousy was plainly exhibited when I fondled a large doll, and when I weighed his infant sister, he being then 15? months old. Seeing how strong a feeling of jealousy is in dogs, it would probably be exhibited by infants at any earlier age than just specified if they were tried in a fitting manner
Mind
See also:  |  Jealousy (2)

May we not suspect that the vague but very real fears of children, which are quite independent of experience, are the inherited effects of real dangers and abject superstitions during ancient savage times?
Mind, 1877
See also:  |  Fear (24)

Now any dogma, based primarily on faith and emotionalism, is a dangerous weapon to use on others, since it is almost impossible to guarantee that the weapon will never be turned on the user.
In The Foundation Trilogy (1951), 155.
See also:  |  Danger (9)  |  Guarantee (2)  |  Impossible (16)  |  Turn (4)  |  Weapon (24)

Our natural way of thinking about these coarser emotions is that the mental perception of some fact excites the mental affection called the emotion, and that this latter state of mind gives rise to the bodily expression. My theory, on the contrary, is that the bodily changes follow directly the perception of the exciting fact, and that our feeling of the same changes as they occur IS the emotion. Common-sense says, we lose our fortune, are sorry and weep; we meet a bear, are frightened and run; we are insulted by a rival, are angry and strike. The hypothesis here to be defended says that this order of sequence is incorrect, that the one mental state is not immediately induced by the other, that the bodily manifestations must first be interposed between, and that the more rational statement is that we feel sorry because we cry, angry because we strike, afraid because we tremble, and not that we cry, strike, or tremble, because we are sorry, angry, or fearful, as the case may be. Without the bodily states following on the perception, the latter would be purely cognitive in form, pale, colorless, destitute of emotional warmth. We might then see the bear, and judge it best to run, receive the insult and deem it right to strike, but we should not actually feel afraid or angry.
The Principles or Psychology (1890), Vol. 2, 449-50.
See also:  |  Fact (139)  |  Hypothesis (83)  |  Mind (116)  |  Perception (5)  |  Theory (179)  |  Thinking (56)

The most beautiful experience we can have is the mysterious—the fundamental emotion which stands at the cradle of true art and true science.
The World As I See It (2006), 7.
See also:  |  Experience (57)  |  Science And Art (25)

The teens are emotionally unstable and pathic. It is a natural impulse to experience hot and perfervid psychic states, and it is characterized by emotionalism. We see here the instability and fluctuations now so characteristic. The emotions develop by contrast and reaction into the opposite.
Hall, GS (1904b). Adolescence: Its psychology and its relations to physiology, anthropology, sociology, sex, crime, religion and education (1904), Vol. 2, 74-75.
See also:  |  Child (39)

The young blush much more freely than the old but not during infancy, which is remarkable, as we know that infants at a very early age redden from passion.
Expression of the Emotions in Man and Animals
See also:  |  Blush (2)

Why does man regret, even though he may endeavour to banish any such regret, that he has followed the one natural impulse, rather than the other; and why does he further feel that he ought to regret his conduct? Man in this respect differs profoundly from the lower animals.
Descent of Man
See also:  |  Regret (3)

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