Ah, bien je prétends que les courbes des quatre areêtes du monument, telles que le calcul les a fournies, donneront une grand impression de force et de beauté.
Well, I think the curves of the four pillars of the monument, as the calculations have provided them, give it a great sense of force and beauty.

Étant la plus saisissante manifestation de l'art des constructions métalliques par lesquelles nos ingénieurs se sont illustrés en Europe, elle est une des formes les plus frappantes de notre génie national moderne.
Being the most striking manifestation of the art of metal structures by which our engineers have shown in Europe, it [the Eiffel Tower] is one of the most striking of our modern national genius.

Il me semble que, n'eût elle pas d'autre raison d'être que de montrer que nous ne sommes pas simplement le pays des amuseurs, mais aussi celui des ingénieurs et des constructeurs qu'on appelle de toutes les régions du monde pour édifier les ponts, les viaducs, les gares et les grands monuments de l'industrie moderne, la Tour Eiffel mériterait d'être traitée avec consideration.
It seems to me that it had no other rationale than to show that we are not simply the country of entertainers, but also that of engineers and builders called from across the world to build bridges, viaducts, stations and major monuments of modern industry, the Eiffel Tower deserves to be treated with consideration.

Can one think that because we are engineers, beauty does not preoccupy us or that we do not try to build beautiful, as well as solid and long lasting structures? Aren't the genuine functions of strength always in keeping with unwritten conditions of harmony? ... Besides, there is an attraction, a special charm in the colossal to which ordinary theories of art do not apply.

I ought to be jealous of the tower. She is more famous than I am.

If the Eiffel Tower were now representing the world's age, the skin of paint on the pinnacle-knob at its summit would represent man's share of that age; and anybody would perceive that that skin was what the tower was built for.
[Declaiming Alfred Russel Wallace's 'anthropocentric' theory, that the universe was created specifically for the evolution of mankind.]

It seems to be saying perpetually; 'I am the end of the nineteenth century; I am glad they built me of iron; let me rust.' ... It is like a passing fool in a crowd of the University, a buffoon in the hall; for all the things in Paris has made, it alone has neither wits nor soul.
About the Eiffel Tower.

The first principle of architectural beauty is that the essential lines of a construction be determined by a perfect appropriateness to its use.

There is an attraction and a charm inherent in the colossal that is not subject to ordinary theories of art ... The tower will be the tallest edifice ever raised by man. Will it therefore be imposing in its own way?