Drawing Quotes (13 quotes)
Question: Explain how to determine the time of vibration of a given tuning-fork, and state what apparatus you would require for the purpose.
Answer: For this determination I should require an accurate watch beating seconds, and a sensitive ear. I mount the fork on a suitable stand, and then, as the second hand of my watch passes the figure 60 on the dial, I draw the bow neatly across one of its prongs. I wait. I listen intently. The throbbing air particles are receiving the pulsations; the beating prongs are giving up their original force; and slowly yet surely the sound dies away. Still I can hear it, but faintly and with close attention; and now only by pressing the bones of my head against its prongs. Finally the last trace disappears. I look at the time and leave the room, having determined the time of vibration of the common “pitch” fork. This process deteriorates the fork considerably, hence a different operation must be performed on a fork which is only lent.
Answer: For this determination I should require an accurate watch beating seconds, and a sensitive ear. I mount the fork on a suitable stand, and then, as the second hand of my watch passes the figure 60 on the dial, I draw the bow neatly across one of its prongs. I wait. I listen intently. The throbbing air particles are receiving the pulsations; the beating prongs are giving up their original force; and slowly yet surely the sound dies away. Still I can hear it, but faintly and with close attention; and now only by pressing the bones of my head against its prongs. Finally the last trace disappears. I look at the time and leave the room, having determined the time of vibration of the common “pitch” fork. This process deteriorates the fork considerably, hence a different operation must be performed on a fork which is only lent.
Genuine student answer* to an Acoustics, Light and Heat paper (1880), Science and Art Department, South Kensington, London, collected by Prof. Oliver Lodge. Quoted in Henry B. Wheatley, Literary Blunders (1893), 176-7, Question 4. (*From a collection in which Answers are not given verbatim et literatim, and some instances may combine several students' blunders.)
Question: What is the difference between a “real” and a “virtual” image? Give a drawing showing the formation of one of each kind.
Answer: You see a real image every morning when you shave. You do not see virtual images at all. The only people who see virtual images are those people who are not quite right, like Mrs. A. Virtual images are things which don't exist. I can't give you a reliable drawing of a virtual image, because I never saw one.
Answer: You see a real image every morning when you shave. You do not see virtual images at all. The only people who see virtual images are those people who are not quite right, like Mrs. A. Virtual images are things which don't exist. I can't give you a reliable drawing of a virtual image, because I never saw one.
Genuine student answer* to an Acoustics, Light and Heat paper (1880), Science and Art Department, South Kensington, London, collected by Prof. Oliver Lodge. Quoted in Henry B. Wheatley, Literary Blunders (1893), 177-8, Question 6. (*From a collection in which Answers are not given verbatim et literatim, and some instances may combine several students' blunders.)
But the strong base and building of my love
Is as the very centre of the earth,
Drawing all things to 't.
Is as the very centre of the earth,
Drawing all things to 't.
Character Cressidus to Pandarus in play Troilus and Cressida (c.1601), Act 4, lines 200-202. In Troilus and Cressida (1811), 92.
Hunting, fishing, drawing, and music occupied my every moment. ... Cares I knew not, and cared naught about them.
[Recalling his time spent at his father's property, Mill Grove, during his first visit to America.]
[Recalling his time spent at his father's property, Mill Grove, during his first visit to America.]
In John James Audubon and Lucy Audubon (editor), The Life of John James Audubon: the Naturalist (1869), 17.
It is not enough to say that we cannot know or judge because all the information is not in. The process of gathering knowledge does not lead to knowing. A child's world spreads only a little beyond his understanding while that of a great scientist thrusts outward immeasurably. An answer is invariably the parent of a great family of new questions. So we draw worlds and fit them like tracings against the world about us, and crumple them when we find they do not fit and draw new ones.
In John Steinbeck and Edward Flanders Ricketts, Sea of Cortez: a Leisurely Journal of Travel and Research (1941), 165-66.
It is sometimes well for a blatant error to draw attention to overmodest truths.
Pensées d'un Biologiste (1939). Translated in The Substance of Man (1962), 89.
Many errors, of a truth, consist merely in the application of the wrong names of things. For if a man says that the lines which are drawn from the centre of the circle to the circumference are not equal, he understands by the circle, at all events for the time, something else than mathematicians understand by it.
In 'Prop. 47: The human mind possesses an adequate knowledge of the eternal and infinite essence of God', Ethic, translated by William Hale White (1883), 93-94. Collected in The English and Foreign Philosophical Library, Vol. 21.
My picture of the world is drawn in perspective and not like a model to scale. The foreground is occupied by human beings and the stars are all as small as three-penny bits. I don't really believe in astronomy, except as a complicated description of part of the course of human and possibly animal sensation. I apply my perspective not merely to space but also to time. In time the world will cool and everything will die; but that is a long time off still and its present value at compound discount is almost nothing.
From a paper read to the Apostles, a Cambridge discussion society (1925). In 'The Foundations of Mathematics' (1925), collected in Frank Plumpton Ramsey and D. H. Mellor (ed.), Philosophical Papers (1990), Epilogue, 249. Citation to the paper, in Nils-Eric Sahlin, The Philosophy of F.P. Ramsey (1990), 225.
The essential fact is that all the pictures which science now draws of nature, and which alone seem capable of according with observational facts, are mathematical pictures.
In The Mysterious Universe (1930), 150.
The principles of Geology like those of geometry must begin at a point, through two or more of which the Geometrician draws a line and by thus proceeding from point to point, and from line to line, he constructs a map, and so proceeding from local to gen maps, and finally to a map of the world. Geometricians founded the science of Geography, on which is based that of Geology.
Abstract View of Geology, page proofs of unpublished work, Department of Geology, University of Oxford, 1.
There are many arts and sciences of which a miner should not be ignorant. First there is Philosophy, that he may discern the origin, cause, and nature of subterranean things; for then he will be able to dig out the veins easily and advantageously, and to obtain more abundant results from his mining. Secondly there is Medicine, that he may be able to look after his diggers and other workman ... Thirdly follows astronomy, that he may know the divisions of the heavens and from them judge the directions of the veins. Fourthly, there is the science of Surveying that he may be able to estimate how deep a shaft should be sunk ... Fifthly, his knowledge of Arithmetical Science should be such that he may calculate the cost to be incurred in the machinery and the working of the mine. Sixthly, his learning must comprise Architecture, that he himself may construct the various machines and timber work required underground ... Next, he must have knowledge of Drawing, that he can draw plans of his machinery. Lastly, there is the Law, especially that dealing with metals, that he may claim his own rights, that he may undertake the duty of giving others his opinion on legal matters, that he may not take another man's property and so make trouble for himself, and that he may fulfil his obligations to others according to the law.
De Re Metallica (1556), trans. H. C. and L. H. Hoover (1950), 3-4.
What is the shape of space? Is it flat, or is it bent? Is it nicely laid out, or is it warped and shrunken? Is it finite, or is it infinite? Which of the following does space resemble more: (a) a sheet of paper, (b) an endless desert, (c) a soap bubble, (d) a doughnut, (e) an Escher drawing, (f) an ice cream cone, (g) the branches of a tree, or (h) a human body?
The Fourth Dimension: And How to Get There (1985), 91.
Who would not have been laughed at if he had said in 1800 that metals could be extracted from their ores by electricity or that portraits could be drawn by chemistry.
[Commenting on Becquerel's process for extracting metals by voltaic means.]
[Commenting on Becquerel's process for extracting metals by voltaic means.]
Letter (20 Aug 1847), The Letters of Faraday and Schoenbein, 1836-1862 (1899), footnote, 209.
At the heart of science is an essential balance between two seemingly contradictory attitudes--an openness to new ideas, no matter how bizarre or counterintuitive they may be, and the most ruthless skeptical scrutiny of all ideas, old and new. This is how deep truths are winnowed from deep nonsense. -- Carl Sagan