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Color Quotes (51 quotes)
Colour Quotes, Colouration Quotes, Colouring Quotes, Coloured Quotes, Coloration Quotes, Coloring Quotes, Colored Quotes


...for the animals, which we resemble and which would be our equals if we did not have reason, do not reflect upon the actions or the passions of their external or internal senses, and do not know what is color, odor or sound, or if there is any differences between these objects, to which they are moved rather than moving themselves there. This comes about by the force of the impression that the different objects make on their organs and on their senses, for they cannot discern if it is more appropriate to go and drink or eat or do something else, and they do not eat or drink or do anything else except when the presence of objects or the animal imagination [l'imagination brutalle], necessitates them and transports them to their objects, without their knowing what they do, whether good or bad; which would happen to us just as to them if we were destitute of reason, for they have no enlightenment except what they must have to take their nourishment and to serve us for the uses to which God has destined them.
[Arguing the uniqueness of man by regarding animals to be merely automatons.].
Les Préludes de l'Harmonie Universelle (1634), 135-139. In Charles Coulston Gillespie (ed.), Dictionary of Scientific Biography (1974), Vol. 9, 318.
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Question: Account for the delicate shades of colour sometimes seen on the inside of an oyster shell. State and explain the appearance presented when a beam of light falls upon a sheet of glass on which very fine equi-distant parallel lines have been scratched very close to one another.
Answer: The delicate shades are due to putrefaction; the colours always show best when the oyster has been a bad one. Hence they are considered a defect and are called chromatic aberration.
The scratches on the glass will arrange themselves in rings round the light, as any one may see at night in a tram car.
Genuine student answer* to an Acoustics, Light and Heat paper (1880), Science and Art Department, South Kensington, London, collected by Prof. Oliver Lodge. Quoted in Henry B. Wheatley, Literary Blunders (1893), 182, Question 27. (*From a collection in which Answers are not given verbatim et literatim, and some instances may combine several students' blunders.)
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Question: How would you disprove, experimentally, the assertion that white light passing through a piece of coloured glass acquires colour from the glass? What is it that really happens?
Answer: To disprove the assertion (so repeatedly made) that “white light passing through a piece of coloured glass acquires colour from the glass,” I would ask the gentleman to observe that the glass has just as much colour after the light has gone through it as it had before. That is what would really happen.
Genuine student answer* to an Acoustics, Light and Heat paper (1880), Science and Art Department, South Kensington, London, collected by Prof. Oliver Lodge. Quoted in Henry B. Wheatley, Literary Blunders (1893), 178, Question 8. (*From a collection in which Answers are not given verbatim et literatim, and some instances may combine several students' blunders.)
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A great ball of fire about a mile in diameter, changing colors as it kept shooting upward, from deep purple to orange, expanding, growing bigger, rising as it was expanding, an elemental force freed from its bonds after being chained for billions of years.
On the first atomic explosion in New Mexico, 16 Jul 1945.
From 'Drama of the Atomic Bomb Found Climax in July 16 Test', in New York Times (26 Sep 1945). This was the first of a series of articles by Laurence, who was the only civilian witness of the first bomb test. He was on a flight to see the dropping of a bomb on Nagasaki. Laurence, science writer for the NYT, had been requested for service to the War Department to explain the atomic bomb to the lay public.
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A major scientific advancement would be the development of cigarette ashes that would match the color of the rug.
Anonymous
In E.C. McKenzie, 14,000 Quips and Quotes for Speakers, Writers, Editors, Preachers, and Teachers (1990), 85.
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About thirty years ago there was much talk that geologists ought only to observe and not theorise; and I well remember some one saying that at this rate a man might as well go into a gravel-pit and count the pebbles and describe the colours. How odd it is that anyone should not see that all observation must be for or against some view if it is to be of any service!
Letter to Henry Fawcett (18 Sep 1861). In Charles Darwin, Francis Darwin, Albert Charles Seward, More Letters of Charles Darwin (1903), Vol. 1, 195.
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Among those whom I could never pursuade to rank themselves with idlers, and who speak with indignation of my morning sleeps and nocturnal rambles, one passes the day in catching spiders, that he may count their eyes with a microscope; another exhibits the dust of a marigold separated from the flower with a dexterity worthy of Leuwenhoweck himself. Some turn the wheel of electricity; some suspend rings to a lodestone, and find that what they did yesterday, they can do again to-day.—Some register the changes of the wind, and die fully convinced that the wind is changeable.—There are men yet more profound, who have heard that two colorless liquors may produce a color by union, and that two cold bodies will grow hot of they are mingled: they mingle them, and produce the effect expected, say it is strange, and mingle them again.
In Tryon Edwards, A Dictionary of Thoughts (1908), 243.
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And if one look through a Prism upon a white Object encompassed with blackness or darkness, the reason of the Colours arising on the edges is much the same, as will appear to one that shall a little consider it. If a black Object be encompassed with a white one, the Colours which appear through the Prism are to be derived from the Light of the white one, spreading into the Regions of the black, and therefore they appear in a contrary order to that, when a white Object is surrounded with black. And the same is to be understood when an Object is viewed, whose parts are some of them less luminous than others. For in the borders of the more and less luminous Parts, Colours ought always by the same Principles to arise from the Excess of the Light of the more luminous, and to be of the same kind as if the darker parts were black, but yet to be more faint and dilute.
Opticks (1704), Book I, Part 2, Prop. VIII, Prob. III, 123.
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Between men of different studies and professions, may be observed a constant reciprocation of reproaches. The collector of shells and stones derides the folly of him who pastes leaves and flowers upon paper, pleases himself with colours that are perceptibly fading, and amasses with care what cannot be preserved. The hunter of insects stands amazed that any man can waste his short time upon lifeless matter, while many tribes of animals yet want their history. Every one is inclined not only to promote his own study, but to exclude all others from regard, and having heated his imagination with some favourite pursuit, wonders that the rest of mankind are not seized with the same passion.
From 'Numb. 83, Tuesday, January 1, 1750', The Rambler (1756), Vol. 2, 150.
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But it will be found... that one universal law prevails in all these phenomena. Where two portions of the same light arrive in the eye by different routes, either exactly or very nearly in the same direction, the appearance or disappearance of various colours is determined by the greater or less difference in the lengths of the paths.
Lecture XIV. 'Of Physical Optics'. In A Syllabus of a Course of Lectures on Natural and Experimental Philosophy (1802), 112-4.
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By convention sweet is sweet, by convention bitter is bitter, by convention hot is hot, by convention cold is cold, by convention colour is colour. But in reality there are atoms and the void. That is, the objects of sense are supposed to be real and it is customary to regard them as such, but in truth they are not. Only the atoms and the void are real.
Cited as from Sext. Emp. Math. VII. 135, in Charles Montague Bakewell, Source Book in Ancient Philosophy (1907), 60.
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Colour, Figure, Motion, Extension and the like, considered only so many Sensations in the Mind, are perfectly known, there being nothing in them which is not perceived. But if they are looked on as notes or Images, referred to Things or Archetypes existing without the Mind, then are we involved all in Scepticism.
A Treatise Concerning the Principles of Human Knowledge [first published 1710], (1734), 109.
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Do not the Rays which differ in Refrangibility differ also in Flexibity; and are they not by their different Inflexions separated from one another, so as after separation to make the Colours in the three Fringes above described? And after what manner are they inflected to make those Fringes?
Opticks (1704), Book 3, Query 2, 132-3.
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Every philosophy is tinged with the colouring of some secret imaginative background, which never emerges explicitly into its train of reasoning.
In Science and the Modern World (1925), 7.
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For a stone, when it is examined, will be found a mountain in miniature. The fineness of Nature’s work is so great, that, into a single block, a foot or two in diameter, she can compress as many changes of form and structure, on a small scale, as she needs for her mountains on a large one; and, taking moss for forests, and grains of crystal for crags, the surface of a stone, in by far the plurality of instances, is more interesting than the surface of an ordinary hill; more fantastic in form and incomparably richer in colour—the last quality being, in fact, so noble in most stones of good birth (that is to say, fallen from the crystalline mountain ranges).
Modern Painters, 4, Containing part 5 of Mountain Beauty (1860), 311.
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From what has been said it is also evident, that the Whiteness of the Sun's Light is compounded all the Colours wherewith the several sorts of Rays whereof that Light consists, when by their several Refrangibilities they are separated from one another, do tinge Paper or any other white Body whereon they fall. For those Colours ... are unchangeable, and whenever all those Rays with those their Colours are mix'd again, they reproduce the same white Light as before.
Opticks (1704), Book 1, Part 2, Exper. XV, 114.
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How far will chemistry and physics ... help us understand the appeal of a painting?
Colour: Why the World Isn't Grey (1983). Quoted in Sidney Perkowitz, Empire of Light (1999), 1.
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I am of the African race, and in the colour which is natural to them of the deepest dye; and it is under a sense of the most profound gratitude to the Supreme Ruler of the Universe.
Letter to Thomas Jefferson included with a copy of Banneker's first almanacs. In George Washington Williams, History of the Negro Race in America from 1619 to 1880 (1882), Vol. 1, 395.
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I am told that the wall paintings which we had the happiness of admiring in all their beauty and freshness [in the chapel she discovered at Abu Simbel] are already much injured. Such is the fate of every Egyptian monument, great or small. The tourist carves it over with names and dates, and in some instances with caricatures. The student of Egyptology, by taking wet paper “squeezes” sponges away every vestige of the original colour. The “Collector” buys and carries off everything of value that he can, and the Arab steals it for him. The work of destruction, meanwhile goes on apace. The Museums of Berlin, of Turin, of Florence are rich in spoils which tell their lamentable tale. When science leads the way, is it wonderful that ignorance should follow?
Quoted in Margaret S. Drower, The Early Years, in T.G.H. James, (ed.), Excavating in Egypt: The Egypt Exploration Society, 1882-1982 (1982), 10. As cited in Wendy M.K. Shaw, Possessors and Possessed: Museums, Archaeology, and the Visualization of History in the Late Ottoman Empire (2003), 37. Also quoted in Margaret S. Drower, Flinders Petrie: A Life in Archaeology (1995), 57.
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I feel that the recent ruling of the United States Army and Navy regarding the refusal of colored blood donors is an indefensible one from any point of view. As you know, there is no scientific basis for the separation of the bloods of different races except on the basis of the individual blood types or groups. (1942)
Spencie Love, One Blood: The Death and Resurrection of Charles R. Drew (1996), 155-56, quoting as it appeared in Current Biography (1944), 180.
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I had a Meccano set with which I “played” endlessly. Meccano which was invented by Frank Hornby around 1900, is called Erector Set in the US. New toys (mainly Lego) have led to the extinction of Meccano and this has been a major disaster as far as the education of our young engineers and scientists is concerned. Lego is a technically trivial plaything and kids love it partly because it is so simple and partly because it is seductively coloured. However it is only a toy, whereas Meccano is a real engineering kit and it teaches one skill which I consider to be the most important that anyone can acquire: This is the sensitive touch needed to thread a nut on a bolt and tighten them with a screwdriver and spanner just enough that they stay locked, but not so tightly that the thread is stripped or they cannot be unscrewed. On those occasions (usually during a party at your house) when the handbasin tap is closed so tightly that you cannot turn it back on, you know the last person to use the washroom never had a Meccano set.
Nobel laureate autobiography in Les Prix Nobel/Nobel Lectures 1996 (1997), 189.
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I have always been very fond of mathematics—for one short period, I even toyed with the possibility of abandoning chemistry in its favour. I enjoyed immensely both its conceptual and formal beauties, and the precision and elegance of its relationships and transformations. Why then did I not succumb to its charms? … because by and large, mathematics lacks the sensuous elements which play so large a role in my attraction to chemistry.I love crystals, the beauty of their forms and formation; liquids, dormant, distilling, sloshing! The fumes, the odors—good or bad, the rainbow of colors; the gleaming vessels of every size, shape and purpose.
In Arthur Clay Cope Address, Chicago (28 Aug 1973). In O. T. Benfey and P. J. T. Morris (eds.), Robert Burns Woodward. Architect and Artist in the World of Molecules (2001), 427.
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I remember my father had a sermon he used to preach when we were in Florida, in which he gave a reference to the Southern Cross—about the stars, the colors, in the Southern Cross, which thrilled me very much. I must have been around 5 years old. ... Now, it turns out that the Southern Cross itself does have one red star, together with three blue ones.
'Oral History Transcript: Dr. William Wilson Morgan' (8 Aug 1978) in the Niels Bohr Library & Archives.
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I wish they would use English instead of Greek words. When I want to know why a leaf is green, they tell me it is coloured by “chlorophyll,” which at first sounds very instructive; but if they would only say plainly that a leaf is coloured green by a thing which is called “green leaf,” we should see more precisely how far we had got.
[The word “chlorophyll” is formed from the Greek words for “green leaf.”]
In The Queen of the Air: a Study of the Greek Myths of Cloud and Storm (1889), 51
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If Louis Pasteur were to come out of his grave because he heard that the cure for cancer still had not been found, NIH would tell him, “Of course we'll give you assistance. Now write up exactly what you will be doing during the three years of your grant.” Pasteur would say, “Thank you very much,” and would go back to his grave. Why? Because research means going into the unknown. If you know what you are going to do in science, then you are stupid! This is like telling Michelangelo or Renoir that he must tell you in advance how many reds and how many blues he will buy, and exactly how he will put those colors together.
Interview for Saturday Evening Post (Jan/Feb 1981), 30.
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If we assume that there is only one enzyme present to act as an oxidizing agent, we must assume for it as many different degrees of activity as are required to explain the occurrence of the various colors known to mendelize (three in mice, yellow, brown, and black). If we assume that a different enzyme or group of enzymes is responsible for the production of each pigment we must suppose that in mice at least three such enzymes or groups of enzymes exist. To determine which of these conditions occurs in mice is not a problem for the biologist, but for the chemist. The biologist must confine his attention to determining the number of distinct agencies at work in pigment formation irrespective of their chemical nature. These agencies, because of their physiological behavior, the biologist chooses to call 'factors,' and attempts to learn what he can about their functions in the evolution of color varieties.
Experimental Studies of the Inheritance of Color in Mice (1913), 17-18.
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If we seek for the simplest arrangement, which would enable it [the eye] to receive and discriminate the impressions of the different parts of the spectrum, we may suppose three distinct sensations only to be excited by the rays of the three principal pure colours, falling on any given point of the retina, the red, the green, and the violet; while the rays occupying the intermediate spaces are capable of producing mixed sensations, the yellow those which belong to the red and green, and the blue those which belong to the green and violet.
'Chromatics', in Supplement to the Fourth, Fifth, and Sixth Editions of the Encyclopedia Britannica (1824), Vol. 3, 142.
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In the beginning of the year 1665 I found the Method of approximating series & the Rule for reducing any dignity of any Bionomial into such a series. The same year in May I found the method of Tangents of Gregory & Slusius, & in November had the direct method of fluxions & the next year in January had the Theory of Colours & in May following I had entrance into ye inverse method of fluxions. And the same year I began to think of gravity extending to ye orb of the Moon & (having found out how to estimate the force with wch [a] globe revolving within a sphere presses the surface of the sphere) from Keplers rule of the periodic times of the Planets being in sesquialterate proportion of their distances from the center of their Orbs, I deduced that the forces wch keep the Planets in their Orbs must [be] reciprocally as the squares of their distances from the centers about wch they revolve: & thereby compared the force requisite to keep the Moon in her Orb with the force of gravity at the surface of the earth, & found them answer pretty nearly. All this was in the two plague years of 1665-1666. For in those days I was in the prime of my age for invention & minded Mathematicks & Philosophy more then than at any time since.
Quoted in Richard Westfall, Never at Rest: A Biography of Isaac Newton (1980), 143.
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In these strenuous times, we are likely to become morbid and look constantly on the dark side of life, and spend entirely too much time considering and brooding over what we can't do, rather than what we can do, and instead of growing morose and despondent over opportunities either real or imaginary that are shut from us, let us rejoice at the many unexplored fields in which there is unlimited fame and fortune to the successful explorer and upon which there is no color line; simply the survival of the fittest.
[In article urging blacks to engage in plant breeding to develop improved species.]
'A New Industry for Colored Men and Women', Colored American (Jan 1908, 14, 33. Cited in Linda O. McMurry, George Washington Carver, Scientist and Symbol (1982), 109.
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Instead of disbursing her annual millions for these dye stuffs, England will, beyond question, at no distant day become herself the greatest coloring producing country in the world; nay, by the very strangest of revolutions she may ere long send her coal-derived blues to indigo-growing India, her tar-distilled crimson to cochineal-producing Mexico, and her fossil substitutes for quercitron and safflower to China, Japan and the other countries whence these articles are now derived.
From 'Report on the Chemical Section of the Exhibition of 1862.' As quoted in Sir Frederick Abel, 'The Work of the Imperial Institute' Nature (28 Apr 1887), 35, No. 913, 620. Abel called the display of the first dye-products derived from coal tar at the Exhibition of 1862, “one of the features of greatest novelty.”
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Iron and coal dominated everywhere, from grey to black: the black boots, the black stove-pipe hat, the black coach or carriage, the black iron frame of the hearth, the black cooking pots and pans and stoves. Was it a mourning? Was it protective coloration? Was it mere depression of the senses? No matter what the original color of the paleotechnic milieu might be it was soon reduced by reason of the soot and cinders that accompanied its activities, to its characteristic tones, grey, dirty-brown, black.
Technics and Civilisation (1934), 163.
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It is sometimes said that scientists are unromantic, that their passion to figure out robs the world of beauty and mystery. But is it not stirring to understand how the world actually works—that white light is made of colors, that color is the way we perceive the wavelengths of light, that transparent air reflects light, that in so doing it discriminates among the waves, and that the sky is blue for the same reason that the sunset is red? It does no harm to the romance of the sunset to know a little bit about it.
Pale Blue Dot: A Vision of the Human Future in Space (1994), 159.
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I’ve always been inspired by Dr. Martin Luther King, who articulated his Dream of an America where people are judged not by skin color but “by the content of their character.” In the scientific world, people are judged by the content of their ideas. Advances are made with new insights, but the final arbitrator of any point of view are experiments that seek the unbiased truth, not information cherry picked to support a particular point of view.
In letter (1 Feb 2013) to Energy Department employees announcing his decision not to serve a second term.
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May we attribute to the color of the herbage and plants, which no doubt clothe the plains of Mars, the characteristic hue of that planet, which is noticeable by the naked eye, and which led the ancients to personify it as a warrior?
In 'Mars, by the Latest Observations', Popular Science (Dec 1873), 4, 190.
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One thought [spectra are] marvellous, but it is not possible to make progress there. Just as if you have the wing of a butterfly then certainly it is very regular with the colors and so on, but nobody thought one could get the basis of biology from the coloring of the wing of a butterfly.
Quoted from Interviews (I, 7) in 'The Genesis of the Bohr Atom', J.L. Heilbron and T.S. Kuhn, Historical Studies in the Physical Sciences (1969), 257, reprinted in J. L. Heilbron, Historical Studies in the Theory of Atomic Structure (1981), 195.
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Our challenge is to give what account we can of what becomes of life in the solar system, this corner of the universe that is our home; and, most of all, what becomes of men—all men, of all nations, colors, and creeds. This has become one world, a world for all men. It is only such a world that can now offer us life, and the chance to go on.
From speech given at an anti-war teach-in at the Massachusetts Institute of Technology, (4 Mar 1969) 'A Generation in Search of a Future', as edited by Ron Dorfman for Chicago Journalism Review, (May 1969).
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Red is the color in which the interior of the body is painted. If an operation be thought of as a painting in progress, and blood red the color on the brush, it must be suitably restrained and attract no undue attention; yet any insufficiency of it will increase the perishability of the canvas.
In 'Letter to a Young Surgeon II', Letters to a Young Doctor (1996), 47.
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The Qualities then that are in Bodies rightly considered, are of Three sorts.
First, the Bulk, Figure, Number, Situation, and Motion, or Rest of their solid Parts; those are in them, whether we perceive them or no; and when they are of that size, that we can discover them, we have by these an Idea of the thing, as it is in it self, as is plain in artificial things. These I call primary Qualities.
Secondly, The Power that is in any Body, by Reason of its insensible primary Qualities, to operate after a peculiar manner on any of our Senses, and thereby produce in us the different Ideas of several Colours, Sounds, Smells, Tastes, etc. These are usually called sensible Qualities.
Thirdly, The Power that is in any Body, by Reason of the particular Constitution of its primary Qualities, to make such a change in the Bulk, Figure, Texture, and Motion of another Body, as to make it operate on our Senses, differently from what it did before. Thus the Sun has a Power to make Wax white, and Fire to make Lead fluid. These are usually called Powers.
An Essay Concerning Human Understanding (1690). Edited by Peter Nidditch (1975), Book 2, Chapter 8, Section 23, 140-1.
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The King saw them with no common satisfaction, expressing his desire in no particular to have yt Stellar fish engraven and printed. We wish very much, Sir, yt you could procure for us a particular description of yesd Fish, viz. whether it be common there; what is observable in it when alive; what colour it then hath; what kind of motion in the water; what use it maketh of all that curious workmanship, wch Nature hath adorn'd it with?
to John Winthrop, Jr. (26 Mar 1670), concerning specimens provided by Winthrop to the Society. In A. Rupert Hall & Marie Boas Hall (eds.), The Correspondence of Henry Oldenburg (1969), Vol. 6, 594.
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The laws of light and of heat translate each other;—so do the laws of sound and colour; and so galvanism, electricity and magnetism are varied forms of this selfsame energy.
In 'Letters and Social Aims: Poetry and Imagination', Prose works of Ralph Waldo Emerson (1880), Vol. 3, 198.
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The mathematician's patterns, like the painter's or the poet's must be beautiful; the ideas, like the colours or the words must fit together in a harmonious way.
In A Mathematician's Apology (1940, reprint with Foreward by C.P. Snow 1992), 85.
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The One remains, the many change and pass;
Heaven's light forever shines, Earth's shadows fly;
Life, like a dome of many-coloured glass,
Stains the white radiance of Eternity,
Until Death tramples it to fragments.
Adonais (1821), St. 52. In K. Raine (ed.), Shelley (1974), 209.
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The point of mathematics is that in it we have always got rid of the particular instance, and even of any particular sorts of entities. So that for example, no mathematical truths apply merely to fish, or merely to stones, or merely to colours. So long as you are dealing with pure mathematics, you are in the realm of complete and absolute abstraction. … Mathematics is thought moving in the sphere of complete abstraction from any particular instance of what it is talking about.
In Science and the Modern World: Lowell Lectures, 1925 (1925), 31.
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The progress of synthesis, or the building up of natural materials from their constituent elements, proceeds apace. Even some of the simpler albuminoids, a class of substances of great importance in the life process, have recently been artificially prepared. ... Innumerable entirely new compounds have been produced in the last century. The artificial dye-stuffs, prepared from materials occurring in coal-tar, make the natural colours blush. Saccharin, which is hundreds of times sweeter than sugar, is a purely artificial substance. New explosives, drugs, alloys, photographic substances, essences, scents, solvents, and detergents are being poured out in a continuous stream.
In Matter and Energy (1912), 45-46.
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The sensation of colour cannot be accounted for by the physicist's objective picture of light-waves.
In Tarner Lecture, at Trinity College, Cambridge (Oct 1956), 'Science and Religion', printed in Mind and Matter (1958), 90. Also collected in What is Life?: With Mind and Matter and Autobiographical Sketches (1992, 2012), 154.
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There is, I think, no more wonderful and illuminating spectacle than that of an osmotic growth,—a crude lump of brute inanimate matter germinating before our very eyes, putting forth bud and stem and root and branch and leaf and fruit, with no stimulus from germ or seed, without even the presence of organic matter. For these mineral growths are not mere crystallizations as many suppose … They imitate the forms, the colour, the texture, and even the microscopical structure of organic growth so closely as to deceive the very elect.
In the Preface of his translation of Stéphane Leduc, The Mechanism of Life (1911), vii-viii.
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This very important property of rods, and indeed also of each kind of cone, this limitation of output to a single dimension of change, may be called the Principle of Univariance and stated thus: “The output of a receptor depends upon its quantum catch, but not upon what quanta are caught.” … Young's theory of colour vision may now be stated in terms of cone pigments. “There are three classes of cone each containing a different visual pigment. The output of each cone is univariant, depending simply upon the quantum catch of its pigment. Our sensation of colour depends upon the ratios of these three cone outputs.”
Principle of Univariance, concerning color vision, as stated in Lecture to a meeting of the Physiological Society at Chelsea College, London (17 Apr 1970), and reported in 'Pigments and Signals in Colour Vision', The Journal of Physiology (1972), 220 No. 3, 4P.
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Two kinds of symbol must surely be distinguished. The algebraic symbol comes naked into the world of mathematics and is clothed with value by its masters. A poetic symbol—like the Rose, for Love, in Guillaume de Lorris—comes trailing clouds of glory from the real world, clouds whose shape and colour largely determine and explain its poetic use. In an equation, x and y will do as well as a and b; but the Romance of the Rose could not, without loss, be re-written as the Romance of the Onion, and if a man did not see why, we could only send him back to the real world to study roses, onions, and love, all of them still untouched by poetry, still raw.
C.S. Lewis and E.M. Tillyard, The Personal Heresy: A Controversy (1936), 97.
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Whatsoever accidents Or qualities our sense make us think there be in the world, they are not there, but are seemings and apparitions only. The things that really are in the world without us, are those motions by which these seemings are caused. And this is the great deception of sense, which also is by sense to be corrected. For as sense telleth me, when I see directly, that the colour seemeth to be in the object; so also sense telleth me, when I see by reflection, that colour is not in the object.
The Elements of Law: Natural and Politic (1640), Ferdinand Tonnies edn. (1928), Part 1, Chapter 2, 6.
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When God made the color purple, God was just showing off.
Paraphrasing from Alice Walker's book, The Color Purple. From online transcript of TED talk, 'Mae Jemison on teaching arts and sciences together' (2002).
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… on these expanded membranes [butterfly wings] Nature writes, as on a tablet, the story of the modifications of species, so truly do all changes of the organisation register themselves thereon. Moreover, the same colour-patterns of the wings generally show, with great regularity, the degrees of blood-relationship of the species. As the laws of nature must be the same for all beings, the conclusions furnished by this group of insects must be applicable to the whole world.
From The Naturalist on the River Amazons: A record of Adventures, Habits of Animals, Sketches of Brazilian and Indian life, and Aspects of Nature under the Equator, During Eleven Years of Travel (1864), 413.
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Carl Sagan Thumbnail In science it often happens that scientists say, 'You know that's a really good argument; my position is mistaken,' and then they would actually change their minds and you never hear that old view from them again. They really do it. It doesn't happen as often as it should, because scientists are human and change is sometimes painful. But it happens every day. I cannot recall the last time something like that happened in politics or religion. (1987) -- Carl Sagan
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Paul Feyerabend
- 90 -
Antoine Lavoisier
Lise Meitner
Charles Babbage
Ibn Khaldun
Euclid
Ralph Emerson
Robert Bunsen
Frederick Banting
Andre Ampere
Winston Churchill
- 80 -
John Locke
Bronislaw Malinowski
Bible
Thomas Huxley
Alessandro Volta
Erwin Schrodinger
Wilhelm Roentgen
Louis Pasteur
Bertrand Russell
Jean Lamarck
- 70 -
Samuel Morse
John Wheeler
Nicolaus Copernicus
Robert Fulton
Pierre Laplace
Humphry Davy
Thomas Edison
Lord Kelvin
Theodore Roosevelt
Carolus Linnaeus
- 60 -
Francis Galton
Linus Pauling
Immanuel Kant
Martin Fischer
Robert Boyle
Karl Popper
Paul Dirac
Avicenna
James Watson
William Shakespeare
- 50 -
Stephen Hawking
Niels Bohr
Nikola Tesla
Rachel Carson
Max Planck
Henry Adams
Richard Dawkins
Werner Heisenberg
Alfred Wegener
John Dalton
- 40 -
Pierre Fermat
Edward Wilson
Johannes Kepler
Gustave Eiffel
Giordano Bruno
JJ Thomson
Thomas Kuhn
Leonardo DaVinci
Archimedes
David Hume
- 30 -
Andreas Vesalius
Rudolf Virchow
Richard Feynman
James Hutton
Alexander Fleming
Emile Durkheim
Benjamin Franklin
Robert Oppenheimer
Robert Hooke
Charles Kettering
- 20 -
Carl Sagan
James Maxwell
Marie Curie
Rene Descartes
Francis Crick
Hippocrates
Michael Faraday
Srinivasa Ramanujan
Francis Bacon
Galileo Galilei
- 10 -
Aristotle
John Watson
Rosalind Franklin
Michio Kaku
Isaac Asimov
Charles Darwin
Sigmund Freud
Albert Einstein
Florence Nightingale
Isaac Newton

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